Bobby flees. He hitches a ride with a truck driver who gleefully aims to kill a fox on the road. Bobby wrestles for the wheel, the truck overturns, the driver is killed, and everything is witnessed by a man standing beside the road. This is Mr. Summers (John Hurt), a gentle and intelligent recluse who lives in a cottage in the woods and devotes his life to burying dead animals. "The car is a killing machine, pure and simple," Mr. Summers snaps; he is even offended by the insects that die on windshields.
Who is this man, really? What's his story? Why does he seem to have plenty of money? The movie is all the more intriguing because it roots Mr. Summers in reality, instead of making him into some kind of fairy tale creature. He heats Campbell's soup for Bobby, gives him a blanket, tells him he can stay the night. There is no suggestion of sexual motivation; Mr. Summers is matter of fact, reasonable and motivated entirely by his feelings about dead animals.
Bobby follows the man on his rounds, and then asks to stay and share his work. Mr. Summers agrees. Sometimes they go on raids. One is a guerrilla attack on a lepidopterist, who has built a trap for moths in his backyard, and sips wine and listens to classical music while the helpless creatures flutter toward nets around a bright light. "Smash his light!" Mr. Summers spits, and Bobby runs awkwardly forward with a rock to startle the smug bug collector.
All goes well until De Winter comes back into the picture, and then Bobby and Mr. Summers tell each other their stories, and we learn that the movie is not a simple tale of good and evil, and that Mr. Summers is a great deal more complicated than we might have anticipated. When he's heard Bobby's story, he suggests they visit De Winter and simply sign over the store to gain Bobby's freedom--but De Winter doesn't see it that way, especially not after Summers (who looks a little shabby) sneezes and gets snot on De Winter's exquisite suit.
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